Fahadh runs a studio and is seen taking up wedding photography assignments.The person posting the comment will be in sole ownership of its responsibility.
According to the central governments IT rules, obscene or offensive statement made against a person, religion, community or nation is a punishable offense, and legal action would be taken against people who indulge in such activities. Realistic portrayal of people and the place make it a classic film for all times. The 25 best Malayalam films of the decade: Premam, Maheshinte Prathikaram, Kumbalangi Nights and more. Coronavirus: All the movies, TV shows and festivals delayed or shut down globally. In decade that rejuvenated Malayalam cinema, we take a look at the films that stood out from every year of the 2010s. Here is a list of 25 memorable films of the decade, from 2010 to 2019. Instead of going only by critically acclaimed flicks or box-office hits, the attempt has been to zero in on films that became a trendsetter or introduced a new narrative in Mollywood. Ranjiths Mammootty-starrer Pranchiyettan and the Saint, a satire, remains a popular watch even today. Among notable releases that year were Sufi Paranja Katha, Kutty Srank and Elsamma Enna Aankutty. With an ensemble cast and a layered story set in contemporary Kerala, Traffic followed an ambulance that travels from Kochi to Palakkad with a heart for transplantation. Madhav Ramdasans tautly made Melvilasam, with Suresh Gopi and Parthiban, exposed the ugly aspects of caste in the armed forces. The film of the year has to be Aashiq Abus 22 Female Kottayam, with Rima Kallingal in the lead role of a rape survivor who takes revenge on her tormentors. Madhupals Ozhimuri and Ranjith Shankars Molly Aunty Rocks introduced two memorable heroines that broke the mould of conventional leading ladies in Mollywood. Lal Joses Ayalum Njanum Thammil, starring Prithviraj, wooed viewers and critics. Mohanlals Drishyam, directed by Jeethu Joseph, was remade in several languages and the slick thriller established a new box-office record for Malayalam cinema. Anna and Rasool fall in love and their tragic love story pulls at the heartstrings as they try to overcome barriers of religion and class. Rosshan Andrrews bounced back with the hard-hitting Mumbai Police, one of the first films in Malayalam to address homosexuality. Lijo Jose Pellissery tasted box-office success with his lyrical fantasy, Amen, starring Fahadh Faasil in the lead. Front runners Both Joy Mathew and Alphonse Puthren also came good with their directorial dbut with Shutter and Neram respectively, while Shyamaprasads Artist swept the awards. Dulquer Salmaan in Neelakasham Pachakadal Chuvanna Bhoomi opened up new horizons for wannabe travellers. The feisty rom-com Bangalore Days, directed by Anjali Menon, heralded a new era in Mollywood. Nazriya Nazim became the sweetheart of Malayalam film viewers. Front runners Manju Warrier marked her comeback to cinema with How Old Are You While Nivin Pauly showcased his acting chops in 1983 and Ohm Shanthi Oshaana, Fahadh showed that he was comfortable in an action thriller too with Amal Neerads Iyobinte Pusthakam. Alphonse Puthrans Premam conquered the box office, changed fashion trends, introduced new narratives and song-making. Front runners Ennu Ninte Moideen, a poignant love story based on a real-life romance, directed by RS Vimal, struck gold at the marquee. Rani Padmini, Charlie, Salim Ahameds heart-rending Pathemari and Dr. Bijus Perariyyathavar were the other notable releases of the year. A revenge saga that Mollywood had never seen before won over viewers and critics with its simplicity. Fahadh-starrer Maheshinte Prathikaram, written by Syam Pushkaran and directed by Dileesh Pothan and backed by a cast of extraordinarily talented actors, was the toast of filmdom. Front runners Sameer Thahirs Kali was a relationship drama that centred on Dulquers character Siddarths inability in controlling his rage. Vidhu Vincent entered the record books with her dbut film, Manhole, when she became the first woman director to win the Kerala State film award for the best director. Thondimuthalum Driksakshiyum, scripted by Sajeev Pazhoor, proved that Dileeshs success as a director was not a flash in the pan. A sparkling performance by Nimisha Sajayan announced her arrival as an actor. ![]() Maheshinte Prathikaram Malayalam Script Mods Rakshadhikari BaijuRanjan Pramods Rakshadhikari Baiju Oppu with Biju Menon, was a small film with a big message that talked about the vanishing playgrounds in Kerala. Sudani from Nigeria, written and directed by Zakariya Mohammed, is this heart-warming movie about football and friendship, a paean to Malabar.
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